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First Impact

Remote Production

How to Connect Multiple Offices for a Company-Wide Broadcast

The difference between offices watching the same stream and offices participating in the same production.

First Impact Live · 6 min

Connecting multiple offices starts with one decision: which sites only receive the broadcast and which sites contribute to it. Receiving sites need a reliable viewing set-up and good room audio. Contributing sites need cameras, microphones, a return feed and a tested connection back to the production.

Receiving sites versus contributing sites

Treating every location as a full production site is expensive and usually unnecessary. Most organisations have one or two sites that speak and many that watch.

  • Receiving site: display, room audio, a viewing device and a named local contact
  • Contributing site: camera, microphone, return video and audio, and a tested uplink

Connectivity is the real constraint

Corporate networks are built for downloads, not for sustained uploads. Contributing sites need verified upload bandwidth, ideally a dedicated or separate connection, and a tested path through the corporate firewall.

This is checked days before the broadcast, not on the morning of it.

One programme, one direction

A company-wide broadcast should feel like one production. That means one graphics package, one director calling the programme, one running order and one point of contact per site.

Rehearse the hand-offs

The riskiest moments in a multi-site broadcast are transitions between locations. Rehearse each hand-off, including the cue the local contact receives and what happens if a site drops.

Questions

Frequently asked

Can First Impact connect multiple offices?

Yes. Multiple offices, venues or cities can be connected into one live production.

Can locations be in different countries?

Yes, depending on connectivity and production requirements.

What internet connection is required?

It depends on the production. Upload bandwidth, stability, dedicated access and backup connectivity should be evaluated.

Plan your production

Tell us what you're planning.

Come with the communication objective. We translate it into a production plan.